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Jamie Holdham

Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]

Jamie Holdham

0:36	Est. Play Time
90	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.	15	7	1	4	100%
4 VENTILHORNER in E.	17	18	2	4	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.	15	7	1	4	100%
4 VENTILHORNER in E.	17	18	2	4	100%
BASS. Alle Männer.	9	0	1	4	100%
BRATSCHEN.	8	0	1	4	100%
Contrabasse.	8	0	1	4	100%
Erste Violinen.	9	1	1	4	100%
TENOR. Alle Männer.	9	0	0	4	100%
Tuba.	13	0	1	4	100%
Violoncelle.	9	0	1	4	100%
Zweite Violinen.	9	0	1	4	100%
3 GROSSE FLOTEN.	9	0	0	4	83%
3 CLARINETTEN in Bb.	14	15	2	4	67%
3 HOBOEN.	14	15	1	4	67%
KLEINE FLOTE.	7	0	0	4	58%
PAUKEN. Es. u. B	4	0	2	4	33%
2 TENORPOSAUNEN.	4	2	0	2	8%
3 VENTILTROMPETEN in E.	2	1	0	2	8%
BASSPOSAUNE.	2	0	0	2	8%

Buxtehude - Var.XI: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	1	1	5	77%
		19	1	2	6	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	1	1	5	77%
		19	1	2	6	88%

Gustav Holst - Venus. {Professional production full score.}

Jamie Holdham

2:45	Est. Play Time
145	Measures
	1,166Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
III IV	17	15	5	5	61%
	10	3	3	4	40%
3 OBOES	19	15	6	5	53%
1st Violins	14	0	2	7	53%
3 CLARINETS in B♭	22	26	10	6	52%
2nd Violins	9	0	2	7	43%
Harp I	15	19	2	1	30%
	3	1	0	1	17%
English Horn	2	0	1	4	30%
Violoncellos	13	0	2	4	30%
DOUBLEBASSES	7	0	0	4	23%
Harp II	13	14	2	1	22%
	9	7	2	1	19%
3 BASSOONS	5	2	0	2	20%
Bass Clarinet in B♭	7	0	1	4	17%
V VI	2	1	0	1	9%
Celesta	4	0	0	1	4%
	4	3	1	1	4%
DOUBLE BASSOON	1	0	0	2	4%
Glockenspiel	4	0	0	2	4%
Violas	8	0	1	2	4%

Buxtehude - Var.II: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	1	2	6	93%
		18	1	3	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	1	2	6	93%
		18	1	3	6	100%

Buxtehude - Var.XXIII: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	1	2	6	94%
		13	0	0	4	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	1	2	6	94%
		13	0	0	4	67%

Paganini - Sonata per la Grand Viola e Orchestra. {Professional production full score.} Unfinished.

Jamie Holdham

1:49	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
Violin 1	21	7	5	4	76%
Violin 2	10	9	2	4	76%
Violoncello	11	0	3	4	76%
Timpani	2	0	0	2	64%
Bassoon	7	0	1	1	40%
Clarinetti in B♭	10	8	1	2	40%
Corni in C	4	2	0	2	36%
Vla.Solo	26	0	5	8	36%
Oboi	11	8	1	1	32%
Flauti	7	6	1	1	16%
Trumpet in C	2	1	0	1	12%
Trombones	6	3	1	1	8%

*RULE BRITANNIA*.*Richard Wagner*.*RULE BRITANNIA.* [Unfinished.]

Jamie Holdham

0:39	Est. Play Time
86	Measures
	1,267Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I, II. Corni in D. III,IV.	12	14	2	8	100%
Horn in D	13	18	2	6	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I, II. Corni in D. III,IV.	12	14	2	8	100%
Horn in D	13	18	2	6	100%
Trombe vent. in D.	14	17	2	7	100%
Trombe ord. in D.	8	7	0	6	95%
Flauti.	14	15	2	10	94%
Fagotti.	25	8	7	9	94%
Basso.	16	0	6	8	92%
Clarinetto in F.	16	0	1	10	92%
Viola.	21	11	5	6	92%
Violino I.	20	5	4	10	92%
Violino II.	21	19	3	10	92%
Violoncello.	21	1	6	8	92%
Clarinetti in C.	12	17	2	9	88%
Oboi.	14	18	3	9	88%
Trombone Alto e Tenore.	9	9	1	7	86%
Contra Fagotto.	13	0	5	7	85%
Ophicleide.	16	0	5	7	85%
Timpani in D,A.	2	0	0	9	85%
Trombone basso.	13	0	5	7	85%
Flauti piccoloi.	17	17	2	9	84%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Wagner - Parsifal Vorspiel to Akt 2 Klingsor's Zauberschloss. {Professional production full score.}

Jamie Holdham

2:33	Est. Play Time
68	Measures
	1,795Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
CONTRABASSE.	28	0	13	6	84%
Bassoon	8	1	2	4	20%
	27	9	12	7	73%
E Horn	22	5	9	7	73%
Violoncellos	25	0	10	6	71%
3 POSAUNEN.	15	6	8	7	71%
4 HORNER.	20	5	9	6	68%
BASSCLARINETTE. (A)	24	0	8	7	65%
Violins	35	1	16	8	65%
2 CLARINETTEN. (A)	35	2	13	8	62%
1. VIOLINEN. 2.	34	1	15	8	59%
CONTRAFAGOTT.	16	0	9	6	59%
HOBOEN.	17	4	7	5	54%
3 FAGOTTE.	21	4	8	7	48%
ALTHOBOE.	19	0	7	6	47%
A Clarinet	14	3	5	5	47%
BASSTUBE.	16	0	8	6	44%
Trombone	11	0	5	6	44%
Oboe	12	0	6	5	38%
FLOTEN.	15	1	7	6	35%
TROMPETTEN. (F)	14	0	8	6	28%
F Trumpet	11	0	6	7	17%
Flute	8	0	3	5	17%
Contrabasses	20	0	8	4	12%
Pauken.	1	0	0	1	6%

Die Miestersinger von Nurnberg Overture to Akt 3. {Professional production full score.}

Jamie Holdham

7:37	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	33	0	9	8	57%
Violins	26	0	9	8	55%
2 Fagotte.	17	0	3	6	43%
Bassoon	15	0	4	8	35%
Hr.3 in D.	15	0	2	6	33%
Hr.2 in D.	12	0	2	6	30%
Hr.1 in D.	12	0	1	5	30%
Hr.4 in D.	14	0	2	5	29%
Contrabass.	14	1	4	5	28%
2 Clarinetten. (in A.)	15	0	2	6	22%
3 POSAUNEN.	11	4	1	5	16%
Hoboen.	8	0	0	4	9%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
BASS.TUBA.	7	0	2	3	6%